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Showing posts with label Modern Country Style shops. Show all posts
Showing posts with label Modern Country Style shops. Show all posts

Interview With Christina Strutt from Cabbages and Roses


Hey peeps,

Today, I'd love to welcome Christina from the delectable Cabbages and Roses for a chat at Modern Country Style. Why don't you come on in and join us?


Your eye for beautiful patterns is incredible. What do you look for when choosing fabric for a room you're designing?

It entirely depends on the room and the situation - for instance, if I were decorating the sitting room in my tiny flat in London, the thing that must be taken into consideration is the fact that there is only one room to express one's taste. If I want to make a statement, the pattern will be bold but calm, interesting and have the ability to change character with the addition of different furnishings. The wallpaper in the flat is a very large patterned lilac print which is at the same time calm but definitely a statement. The furnishings and furniture and ornaments can completely change the atmosphere. Black framed paintings hung in a dramatic way can make this a grand room, but with large old faded grey framed mirrors, or flaking white paint makes the room light and Scandinavian. Taste changes with the times, but something classic and beautiful will hold its own for a long time.


Can you describe some of the activities that your typical working week might involve?

Doing interviews such as this, probably three or four a week. Designing fashion collections is an ongoing job, fitting the clothes, finding the fabrics, discussing designs with pattern cutters, many many meetings covering all aspects of the business: the shops, the concessions, their design, visiting the shops and concessions, the collections of home and fabric, the website, the blog, the photography and the locations, the models. New shops, licencing all over the world, discussing designs for our new shop in Tokyo (that was yesterday!!)


What is your idea of a perfect room.

Large sash windows with beautifully-made lined and interlined curtains on painted poles. A room of perfect symmetry overlooking a beautifully kept garden. At least two of the windows would have a window seat covered in cushions. Two or three large sofas covered in faded roses. A hand made rug of pale pinks and green roses. A large fireplace with logs burning in the grate. The walls covered in paintings and pictures. Bookshelves filled with all the books I want to read, none that I haven't hand-picked. A large round table in the corner with  a lovely lamp and piles of books, covered in a beautifully made round and heavy tablecloth. Lamps and tables at every station so wherever you sit you will be comfortable, can read a book and have a place for your cup of tea. Then I would fill it with my family.


What is the process of creating a new fabric from scratch?

We look at current collections and see what we don't have, possibly it is a small design that would work in the same room as a present large design. It could be as simple as having a co ordinating check, so that there would be relief in a room with a lot of the same design. Often fabrics are based on a vintage scrap, so I would very roughly draw the rest of the repeat and then hand over to our designers who can do a much better job than I can with my pencils and watercolours.


(Credit: Lucinda Symons)

I devoured your chapter in At Home With Country about Modern Country style, what are your thoughts for using your fabrics to create modern country interiors?

I like to think that our fabrics will fit in anywhere. It seems to me that modern can be interpreted in many ways. My interpretation of modern is minimal - in which case the idea of a large loft apartment with a modern shaped sofa and large empty spaces, with one large floral cushion would be lovely. We are introducing a heavily floral print this summer which would work beautifully in a modern environment. Keeping to one pattern in a sea of plains in my mind is quite modern. Any one of our prints used sparsely would I think be modern.


What are your dreams for the future of Cabbages and Roses?

To be more available throughout the world, we are opening a shop this month in Tokyo the first, I hope of many. We are hoping to expand in the UK and also in America.

{The awful events in Japan have prevented us from getting there for the opening next week – it’s the most tragic thing to see such devastating and wide spread turmoil. Luckily all of the team out there are ok, but out thoughts and prayers are with the whole nation. It is a testament to the strength of the Japanese people and their culture by how they are coping and we are keenly watching and hoping that things will be ok.

We are working on a fund raising effort from all of our online sales, so keep an eye out for how you can help – we aim to push it out this week and will keep everyone posted on our emails, blog and facebook.

xx C&R }


Thank you so much, Christina. It's been SUCH a pleasure talking to you and trying to squeeze every last drop of inspiration from each word you've said.


All images, other than 6 and 7, via Cabbages and Roses


China Jack Mosaics: Interview

 

Guess what? I've managed to wangle an interview with the very lovely Emily Lawlor who makes the gorgeous China Jack Mosaics I showed you here. I couldn't be more excited to have the chance to quiz a real, live artist at Modern Country Style.

So, here goes...


Emily, your pieces obviously have a common theme, highlighted by your company name, China Jack Mosaics. Where did the inspiration come from for the concept as a whole?

I did a design degree at Chelsea Art College which involved training in mosaic and ceramic. A fascination with the written word and a love of surface patterns form the basis of my concept for China Jack.

From my childhood, I remember beautiful Irish hand painted china from my great grandmother – it always came out for special occasions – and is tied up with many family memories of eating and drinking together. Much of the china got accidentally smashed one Christmas – and I kept all the fragments – thinking that one day I would make a special mosaic.

Last year, I decided to make something from the broken china – I started thinking about what it represented - memories of cups of tea consumed around the kitchen table with family and friends. Laughter and language (my parents ran a language school). I came across a wonderful quote by Bernard Paul Heroux ‘There is no trouble so great or grave that cannot by much diminished by a nice cup of tea’.

I wanted to combine my love of tea, words and language with colour and pattern. As I laid out the shards of china, I thought it would be interesting to combine wood and ceramic together in a mosaic. I have been collecting wooden printing blocks for many years – they are beautiful objects in themselves.

The union jack is an iconic design – I wanted to interpret it in different ways through use of colours and patterns – and explore the symbolism of ‘having a cuppa’. I then fused all these ideas together into China Jack mosaics.


What inspires you when you design an individual piece?

China Jack mosaics evolve in different ways – I am always looking for new ways to combine pattern and word . Inspiration can come either from a beautiful piece of china that I have sourced - large plates are best - and this will then become the main colour theme for a piece and will often inspire a word or phrase. Or – the mosaic might start with a word – at the moment I am working on ‘BLIMEY’ – which is a word I love. The word BLIMEY is picked out in metal lettering – and the piece is monochrome – I was looking for an opportunity to use some beautiful brown and white ironstone plates which I had. I love Cockney Rhyming Slang and use some of this language as starting points for new designs.


What or who have been your major influences?

I have long been inspired by the Spanish architect Antonio Gaudi and his fantastical mosaics in Barcelona. He uses mosaics in an exciting way – riots of colour and texture following organic shapes. I also remember being influenced by the artist Jasper Johns when I was at art college – his textured and collaged paintings explored the iconic theme of flags again and again.


What brought you to the place where you wanted to launch your own business?

Nearly two years ago I had a log cabin studio built in the garden – which meant I had a dedicated working space after 5 years of not having a studio – finally all my materials and books together in one place – a big workspace where I could make larger scale pieces and leave them in progress – not have to tidy them away. This led to a huge amount of creativity – I was making large hand-felted flowers for a National Trust touring exhibition – and began to turn my mind to developing artworks for selling. This coincided with my developing and teaching a course in Cheltenham called ‘Artisans’ – a low level business start up course for arts and crafts practitioners – and as I was teaching students to write business plans and marketing plans – I starting to develop my own business ideas at the same time. I had made a TEA mosaic for our new kitchen and had a lot of positive feedback from visitors – so I started to think that maybe I could develop this idea to sell.


Do you prefer designing your own pieces or working to commissions?

I enjoy both. I was trained to work to commission – over the past fifteen years since I graduated from Chelsea I have worked on site specific commissions – where I worked to a specific brief related to a place – and I enjoy the rigours of this. But I am now also enjoying exploring my own ideas and developing these in a sketchbook.


Where do you source all your beautiful materials?

I scour car boot sales, flea markets and local antique auction rooms for china. I won a lot of boxes of random china recently at our local auction room and, before I took the hammer to it, my husband checked the contents through and found a pristine Minton tea pot – which was worth much more than all the lots put together – saved from the hammer!

The wooden letter blocks I have been collecting for years from antique shops and markets – they are increasingly hard to source as they have become fashionable – they are valuable objects in themselves. I am currently exploring hand-carved wooden letter blocks made by carpenters in Rajasthan. I also source metal letters from a company in Birmingham – these mosaics have a more modern and crisp feel and the letters give much more flexibility in which words I can use as they are all the right way around!


What are your plans for the future of China Jack Mosaics?

I am currently looking at exhibition spaces and galleries and making a body of work for an exhibition in 2011.

Thank you so much, Emily, for taking the time to chat with me. I'm SO in love with your work. It's been such a privilege to see 'behind-the-scenes' of what you do day-to-day.


Now, onto other news....I had such a fantastic time at my wreath-making course. Thank you so much for all your gorgeous comments. I think I shall declare next week 'Wreath Week' at Modern Country Style so I can show you all that I've learned. Does that sound a good idea?


Modern Country Crafts: China Jack Mosaics


Have you heard of China Jack Mosaics? They make hand-crafted gorgeous Union Jack mosaics from vintage china and printing blocks.

{I realise the clue is in the name. See, I'm clever like that...} 


Did someone say Union Jacks AND printing blocks in the same sentence? I want one...I want one.....

Look at all the scrumptious details in the china....Seriously, they are completely lush.
 
And, for the more eagle-eyes among you, don't think I didn't spot Nigella's new Kitchen book on the table in the photo below.

{Any friend of Nigella is a friend of mine.}


 
{Okay, I should tell you, if you don't know already, I have a thing about Nigella...did you not see my Nigella shrine?!}
 

And I'm completely liking the way the mosaics have been styled. I want that red radio too.

{I can always hear my teacher's voice at this point saying, "I want doesn't get....."}

Now, let me think for a second....do I love Union Jacks? Errr, yes!


Do I love gorgeous crafts....Errr, yes!


Do I love repurposed vintage loveliness? Errrr....yes!

It's a no-brainer....these are right up my street.


 It's official: I love China Jack! The only question is...which mosaic to pick?! What do you think? 

Voting starts......now!

 


25% off at Cox and Cox....

Have you checked out Cox and Cox yet? You have? And you love them but you don't like the prices? Well, my friend, I have some news to bring a smile to your sad face....so wipe away those tears and look at what I have here!!


A 25% off media code for Cox and Cox! Yes, you heard me: 25% off. See, I knew that would cheer you up.

In the interests of your retail safety, I checked it out for you first by buying a few bits and bobs from them myself. Too kind? Me?!! Oh, you've made me blush....


Just quote: BCW101 when asked for your Media Code at the checkout.

Oh, and I have decreed that you can only use the code if you've Followed me at Modern Country Style....

AND left lots of comments.....

I'M JOKING!!

Honestly!!


But can I take this moment to say a big THANK YOU to everyone who helps to make this blog what it is, whether that's by Following or commenting or just loitering by the door. I'm really grateful.

By the way, I'm not on commission from Cox and Cox. But you're so right, they owe me big time! You hear that Mr and Mrs Cox?

Enjoy!


Hugs,
Sarahx

Book review: At Home with Country by Christian Strutt

Yes, another post on Cabbages and Roses! I was so inspired by my own blog that I popped over to Amazon, my second home, and got all spendy!



Christina Strutt, founder of Cabbages and Rose, was, once upon a time, assistant Vogue Living editor. She certainly knows what's what when it comes to styling.

Her fifth book, At Home With Country: Bringing the Comforts of Country Home arrived this morning and I am simply bursting to share it with you!


Something that really made me smile (and hop around and tell Mr Modern Country, who was most bemused!) is that the photo that I called 'genius' in my last Cabbages and Roses post, is the title picture for the chapter called 'Modern Country'! Isn't that the coolest coincidence?! Don't you love it when that happens?



One of the aims of the book is to show that the Cabbages and Roses style needn't be reserved for the classic traditional country home but can be applied, with thought, to enhance almost any look. However, it's the Modern Country Style pictures that most draw me in (this is a Modern Country Style blog, after all!).



Each chapter (Classic Country,Modern Country, Island Country and outdoor Country) contains homes that Christina has styled using her Cabbages and Roses magic. Totally gorgeous without exception.


The Modern Country chapter is, of course, especially totally gorgeous but all the sections contain stunning styling that gets you into Christina's mindset: these are fabrics that can add beauty to any setting.

Jan Constantine's Union Jack cushion

On my grandmother's settle in the dining room is a cushion. Not just any old cushion. It's a Jan Constantine Union Jack cushion! Wooooh!


Jan Constantine's cushions are lovely, lovely, gorgeous and scrumptious! Yes, I like them... A LOT! The Union Jack cushion is my favourite of all her lovely designs (although I am prepared to admit a slight bias given that I'm writing here in England!).


I admired this cushion for about three years before I took the plunge and bought it. I was worried my children would pick at it, you see. It is very pickable with its yummy blanket stitching so I would be somewhat sympathetic beneath my veneer of fury but so far all is well...


It is made from thick 100% wool felt and the quality really shows when compared to another supposedly 100% wool felt cushion I have. This is warm, luxurious and heavy.The other is considerably less weighty and slightly shiny. Not so good.

The colours are intensely pigmented. Rich dragon's blood red and gunmetal grey. This was the first ever high end Union Jack cushion I saw. Way before they were all the rage.


The intricate scarlet and white stitching is done by hand and is beautiful.


They are so soft and huggy, and not at all scratchy as you might think wool would be.



If you, too, are in love then check out her website for more objects of desire.
I love the whole Union Jack thang. But how much interior patriotism is too much? I saw another lovey Union Jack cushion today that caught my eye but I managed to walk away! Two or three bits, nice. Four or more, a bit tacky? What do you think?

Beverley Hewitt mug....

At the Spring Country Living Fair earlier this year, I spotted this gorgeous mug from British ceramic designer, Beverley Hewitt. It's a biiiiig mug, perfect for large cups of sweet, milky tea, or to take lots of cream squirted on top of a steaming hot chocolate.


The shape of the mug, whilst being classic, feels original, rather than a rip-off of one of the better-known ceramicists.


The lettering is bold and clear (and, perhaps more importantly, hasn't faded in the dishwasher!). I especially like the 'LOVE' down the handle.


I'm really pleased with it! More of Beverley Hewitt's gorgeous designs can be found here.